Breaking the Silence: The Maria Soledad Case (2024)

In '90s Argentina, the murder of a high school student sparks widespread protests. Retold by her loved ones, this documentary shows their fight for justice.

Homo Cinematographicus (1998)

Homo Cinematographicus is a human species whose unit of measurement and point of reference is the cinema and its derivative, television. Filmed at the 1998 Cannes Film Festival, the film offers an unspecified number of statements, talking about memories and a thousand fragments of stories, titles and film scenes, the warp of a gigantic collective Chanson de geste.

Hitler's Forgotten Victims (1997)

The story of black and mixed race people in Nazi Germany who were sterilised, experimented upon, tortured and exterminated in the Nazi concentration camps. It also explores the history of German racism and examines the treatment of Black prisoners-of-war. The film uses interviews with survivors and their families as well as archival material to document the Black German Holocaust experience.

Murder by the Coast (2021)

In 1999, teen Rocío Wanninkhof is murdered. Her mother's ex-partner, Dolores Vázquez, is suspected. Did she do it? A second victim reveals the truth.

Dark Days (2000)

A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.

Woodstock 99: Peace, Love, and Rage (2021)

Explore Woodstock 99, a three-day music festival promoted to echo unity and counterculture idealism of the original 1969 concert but instead devolved into riots, looting and sexual assaults.

Welcome to Death Row (2001)

The record label Death Row Records has, since its creation in 1993, been synonymous with the American hip-hop climate. Formed by ex-bodyguard Suge Knight, the label has released seminal rap albums from luminaries including Dr. Dre, Snoop Doggy Dogg, and the famous hip-hop martyr Tupac Shakur. WELCOME TO DEATH ROW is a fascinating, well-researched documentary which explores the history of this intriguing and incredibly significant company.

Hell Camp: Teen Nightmare (2023)

Out-of-control teens across America were sent to a therapy camp in the harsh Utah desert. The conditions were brutal, but the staff were even worse.

A Place Called Chiapas (1998)

In 1994, the Zapatista National Liberation Army, made up of impoverished Mayan Indians from the state of Chiapas, took over five towns and 500 ranches in southern Mexico. The government deployed its troops and at least 145 people died in the ensuing battle. Filmmaker Nettie Wild travelled to the country's jungle canyons to film the elusive and fragile life of this uprising.

Murder of the Essex Boys: Blood and Betrayal (2023)

On 6th December 1995, Tony Tucker, Pat Tate and Craig Rolfe were notoriously murdered in a Range Rover on a quiet country lane in Essex but 26 years, two convictions and countless conspiracies later, questions remain unanswered. Why were they killed? Who wanted them dead? Were the men convicted really guilty?

1991: The Year Punk Broke (1992)

David Markey's documentary of life on the road with Sonic Youth and Nirvana during their tour of Europe in late 1991. Also featuring live performances by Dinosaur Jr, Babes in Toyland, The Ramones and Gumball.

The Year of the Discovery (2020)

In 1992 – 500 years after the beginning of Spain's global empire with the discovery of America – Spain proudly presented itself to the international community as a modern, developed, dynamic country through the Olympic Games in Barcelona and the Expo in Seville. But for filmmaker Luis López Carrasco (1981, Murcia), 1992 was also the year in which the regional parliament building in Cartagena was razed during furious protests against the threatened closure of various local industries. El año del descubrimiento revives this almost forgotten history in a typical Spanish bar in Cartagena, where different generations come together to drink, eat, smoke and talk. Stories from witnesses, demonstrators and strikers from back then and discussions among younger café visitors on themes such as class consciousness, the economic crisis and the role of unions percolate to the surface amidst talk of other life issues.

Larger than Life: Reign of the Boybands (2024)

Highlights boy bands and their rise — and fall — to fame, from The Beatles to Jackson 5 to the Jonas Brothers and One Direction, as well as the K-pop group Seventeen.

Solidarność: How Solidarity Changed Europe (2019)

Gdańsk, Poland, September 1980. Lech Wałęsa and other Lenin shipyard workers found Solidarność (Solidarity), the first independent trade union behind the Iron Curtain. The long and hard battle to bring down communist dictatorship has begun.

Cobain: Montage of Heck (2015)

Hailed as one of the most innovative and intimate documentaries of all time, experience Kurt Cobain like never before in the only ever fully authorized portrait of the famed music icon. Academy Award nominated filmmaker Brett Morgen expertly blends Cobain's personal archive of art, music, never seen before movies, animation and revelatory interviews from his family and closest friends.

Limelight (2011)

A film about Peter Gatien, the owner of legendary New York nightclubs like Limelight, The Tunnel and the Palladium. The film documents his rise and fall from the 1980s through the 1990s.

Roberto Baggio (2024)

A filmmaker investigates his childhood memory of Brazil’s 1994 World Cup win, reflecting on capitalism and pop culture through a moody ’90s aesthetic.

Sons of Ecstasy (2025)

An unusual rivalry sits at the epicenter of the 1990s ecstasy drug trade in Arizona. A British stockbroker faces off against the son of a notorious New York mobster. Underground raves set the stage for a deadly battle over control of an ecstasy empire.

Titanic: Stories from the Heart (2023)

Director James Cameron, producer Jon Landau, and star Kate Winslet, share memories and favorite moments, and recount the challenges of making the greatest love story of all time. Go back in time with never seen before film clips, photos, and behind-the-scenes moments.

I See Red People (2019)

After twenty-five years spent in France, I return to Bulgaria, camera in hand, with a vertiginous suspicion: what if my family had collaborated with the political police of the communist regime? And what if they were part of the "red trash" that the demonstrators on the street want to see disappear? I decide to investigate and to film, constantly, ready for anything. My adventure transforms itself into a tragic comic odyssey; a film that combines espionage with family.