A Year Ago in Winter (2008)

A renowned artist must uncover a young dancer's secrets in order to truly capture her likeness for a commissioned work.

The Anarchist's Wife (2008)

"The Anarchist's Wife" is the story of Manuela who is left behind when her husband Justo fights for his ideals against Franco's Nationalists during the Spanish Civil War. He is deported to a concentration camp, and upon his release, continues the fight against nationalism in the French resistance. Years, pass without a word from him, but his wife never gives up hope of seeing him again.

Clara (2008)

A look at the lives of 19th-century composers Clara and Robert Schumann.

The Headless Woman (2008)

After running into something with her car, Vero experiences a particular psychological state. She realizes she might have killed someone.

God's Offices (2008)

A realist dramedy about dedicated social workers who devote their long shifts to helping pregnant women.

Linha de Passe (2008)

In the periphery of São Paulo, the pregnant single mother Cleuza works as maid in the apartment of a middle-class family. Each of her sons has a different unknown father: the oldest, Dênis, has a baby son that lives with his mother and he works as motorcycle courier.

Pet Sematary (1989)

After the Creed family's cat is accidentally killed, a friendly neighbor advises its burial in a mysterious nearby cemetery.

Amelia (2009)

A look at the life of legendary American pilot Amelia Earhart, who disappeared while flying over the Pacific Ocean in 1937 in an attempt to make a flight around the world.

Nobody's Child (1986)

Fact-based drama about the life of Marie Balter, who spent most of her young life in mental institutions. At age 16, she first attempted suicide and the next 20 years she spent in and out of the institutions. At last, a caring doctor started treating her for extreme depression and panic disorder. Weened from strong medications she had taken all her life, at age 36, she emerged for the last time and started a rehabilitation program in the home of a volunteer married couple. There she met a fellow patient with whom she developed a romantic relationship. She also started a college degree. This followed with a long-term professional success in the field of mental health.

The Season of Men (2000)

An 18 year old on the island Djerba, Aicha, is married to Said, who works in Tunis for much of the year. Aicha breaks with tradition and decides to join Said in Tunis, weaving rugs to make money. Said asks that she give him a son, so Aicha lives under the rule of her mother-in-law.

Nadia and Sarra (2004)

Nadia is a 45 year old female professor at the University of Tunis. She is married and has a daughter of 18, Sarra. For some time, Nadia has problems in her marriage also symptoms of menopause are inseparable. The physical and psychological state deteriorates inexorably Nadia.

The Plastic Dome of Norma Jean (1966)

Written, directed, and self-financed by Juleen Compton, The Plastic Dome of Norma Jean is the story of a clairvoyant teenage girl, Norma Jean (Sharon Henesy), taken advantage of by a boy band, fashioned after The Beatles, determined to exploit the young woman's powers as part of a hoax revival.

Stranded (1965)

Compton's first feature was the autobiographical Stranded, which she wrote, directed, starred in, self-financed and distributed. Released in 1965, the film shares the cinematic experimentation and stylish, youth-centric rebellion of the French New Wave made even more radical by its progressive portrayals of female independence and sexuality, beatnik culture, and discussions of homosexuality. Stranded follows Raina, a young American woman (played by Compton), traveling through Greece with her American lover (Gary Collins), and her French, gay, best friend (Gian Pietro Calasso). Raina partakes in several love affairs rejecting marriage offers for no other reason than she likes her life the way it is. Made just prior to the arrival of second wave feminism, Compton, as writer-director, never judges her on-screen alter-ego the way similar female characters were frequently punished in other films during this era by stigmatizing female sexuality.

Lost in Translation (2003)

Two lost souls visiting Tokyo -- the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial -- find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.

Wilbur Wants to Kill Himself (2002)

The strange comedy film of two close brothers; one, Wilbur, who wants to kill himself, and the other, Harbour, who tries to prevent this. When their father dies leaving them his bookstore they meet a woman who makes their lives a bit better yet with a bit more trouble as well.

Girls & The Party (2021)

While preparing for the anticipated summer party in a cramped bathroom, Mercedes navigates her blossoming desires.

Olivia (1951)

"Olivia" captures the awakening passions of an English adolescent sent away for a year to a small finishing school outside Paris. The innocent but watchful Olivia develops an infatuation for her headmistress Julie and through this screen of love observes the tense romance between Julie and the other head of the school Cara in its final months.

Domenica (2001)

Police inspector Sciarra, struggling with an identity crisis, and Domenica, an orphan who would like to know about her mother, spend one day together along the streets of Naples. It's Sciarra's last day of work and he has to take Domenica to the morgue, to identify a man who might have raped her. To Domenica, Sciarra is a father she never had, to him she is the daughter he couldn't have.

They Are All Dead (2014)

Just by watching Lupe stuck at home in her robe and slippers, no one would will guess that in the 80's she was a rock star. Gone are the times of concerts, fame and success. Agoraphobia does not let her leave home. She depends entirely on Paquita, his mother, a superstitious Mexican, with a huge heart, which not only takes care of his daughter but also her teenage grandson. The problem is that Paquita is running out of time and she doesn't want to leave without getting her daughter back.

Miranda's Letter (2016)

Miranda's Letter takes as a starting point the 'missing women' in Shakespeare, in this instance, The Tempest, and imagines what Miranda's mother would have wanted to say to her daughter. Commissioned as part of Shakespeare Lives 2016.