A Man's Home (1921)

Frederick Osborn is too busy to tend to his family duties and his wife Frances feels neglected. But Frederick's attention is caught when his wife takes up with a pair of companions to whom she is devoted, but whom he sees as more than a little shady.

Paging Emma (1999)

An operator at a mobile pager company has her life turned upside down by a seemingly senseless abduction. Currently considered to be a lost film (never released to the general public, after its theatrical premiere in Puerto Rico).

Stranglehold (1931)

A novelist living in a boarding house imagines a murder that involves his fellow boarders.

Two Crowded Hours (1931)

A murderer is on the run from prison and is out to get everyone, especially the girl, who put him there. The detective gives chase with the help of a London cabbie who has aspirations of becoming a policeman himself.

The Big Fight (1930)

Based on the David Belasco stage production of the Max Marcin play in which heavyweight-champion Jack Dempsey played the role of the fighter, Tiger: This "behind-the-scenes look of a heavyweight-championship fight" looks much like all of the other boxing films in which the Champ gets involved in a frame-up and is asked to take a dive.

The First Kiss (1928)

The Talbots, formerly one of the Eastern Shore's first families, have gone to seed: Pap is a drunk, soddenly decaying in his ruined ancestral home, and three of his sons (William, Carol, and Ezra) are lazy, shiftless young men. Mulligan, Pap's second son who supports the entire family by oyster fishing, falls in love with wealthy Anna Lee, but when he first kisses her, she calls him "white trash."

The Queen's Necklace (1929)

Adaptation of Alexandre Dumas's novel 'The Queen's Necklace' which portrays the Affair of the Diamond Necklace which occurred before the French Revolution.

Not So Long Ago (1925)

Against the backdrop of New York City of the early 1850s, a young woman -- naively seeking to win the love she reads about in the romance novels she devours -- finds one prospect in an earnest denizen of the Bowery, and another in an elegant young aristocrat. Focusing on the bygone era's fashions, the novelty of the bicycle-built-for-two, and an inventor's quest for the horseless carriage, the film gently stirs the audiences' nostalgia for simpler times.

The House Behind the Cedars (1927)

Rena is a young woman of mixed race. Although she is romantically pursued by an upwardly mobile African American named Frank, Rena does not decide in his favor. Her appearance allows her to pass for white, as she is of majority European ancestry, although she has grown up in the black community. She meets and falls in love with George Tryon, a young white aristocrat. But as their relationship deepens, Rena believes she has to acknowledge her African ancestry. Considered a lost film.

Larceny (1996)

A man breaks into a flat, startling the occupant. They argue about the new girlfriend of the 'burglar', who's come to get her stuff. Then a third man bursts out of the cupboard...

Forest Rivals (1919)

Julie Lamont is the only white woman in the French-Canadian woods where she lives with her Uncle Henri, a trader who smuggles whiskey to the Indians. Though she has no interest in them she is pursued by brothers Pierre and Jean Dubois, suppliers of Henri's whiskey. Julie flees to the Haunted Rock cave after a fight between the brothers and is discovered there by American engineer Tom King and they fall in love. The brothers pursue and menace the couple but infighting leads to ruin for both and the young couple embark on life together.

The Probation Wife (1919)

A 1919 film directed by Sidney Franklin.

Jealousy (1929)

Yvonne, proprietor of a Paris gown shop, marries Pierre, a poor artist, concealing from him an affair she had with Rigaud, an elderly boulevardier who bought the shop for her.

A Man of Quality (1926)

Jack Banning is a motorcycle cop by day and undercover agent by night. Disguising himself as "Strongarm Samson," Banning infiltrates a gang of smugglers headed by Richard Courtney.

Made in Heaven (1921)

William Lowry rescues Claudia Royce from a burning building, and upon hearing that her parents are trying to force her to accept millionaire Leland, whom she does not love, he proposes a marriage of convenience to himself. She accepts, and Bill arranges a fake ceremony; but when she falls in love with Davidge, Bill refuses her a "divorce." Later, Bill gets rich in the manufacture of a patented fireman's pole, and when he buys a house for Claudia she realizes her love for him and they are legally married.

Destruction (1915)

Fernande marries a man and schemes to get his wealth when his expected death occurs. But he dies before he can change his will. She next tries to kill the son who inherits, but he outfoxes her.

In the Fall of '64 (1914)

At a military hall in a Southern mansion the Confederate officers are amusing themselves. Captain Ford is the officer in charge and Virginia, the young hostess, is his sweetheart. At the height of their fun the sentries outside report the approach of Union soldiers. All officers hurry to their commands. At first the Confederates, having less men, attempt to outmarch the Federals. However, after a short time, they change plans and entrench themselves on the surrounding hills.

The Case of Lena Smith (1929)

A peasant girl goes to great lengths to protect her child in 19th century Vienna. The film is considered lost, and only four minutes of footage are known to remain.

The Failure (1915)

Theatrical manager Isaac Shuman has a reputation for "taking advantage" of young girls who want to become stars on Broadway. Reporter Tom Warder investigates these stories and exposes Shuman in his newspaper.

The Ghost Flower (1918)

Giulia, a Neapolitan girl, much against her will, becomes the mistress of a wealthy gangster. Her "protector" is stabbed to death by Giulia's hot-headed musician lover Tony (Francis McDonald), whereupon the heroine takes refuge in the villa of French playwright La Farge. Under La Farge's careful tutelage, Giulia develops into a famous actress, capturing the heart of the Duke De Chaumont. Though LaFarge himself has fallen in love with the girl, he does not stand in her way when she accepts the Duke's proposal. But Giulia has not reckoned with Tony, who is still crazy about her and still willing to kill any man who stands in his way. Tony murders LaFarge, then sets his sights on the Duke, intending to kill the poor fellow during the wedding ceremony. Hoping to save the Duke's life, Giulia pretends to have fallen out of love with him and returns to Tony.