Purple Noon (1960)

Tom Ripley is a talented mimic, moocher, forger and all-around criminal improviser; but there's more to Tom Ripley than even he can guess.

Shoot the Piano Player (1960)

Charlie is a former classical pianist who has changed his name and now plays jazz in a grimy Paris bar. When Charlie's brothers, Richard and Chico, surface and ask for Charlie's help while on the run from gangsters they have scammed, he aids their escape. Soon Charlie and Lena, a waitress at the same bar, face trouble when the gangsters arrive, looking for his brothers.

Elevator to the Gallows (1958)

A self-assured businessman murders his employer, the husband of his mistress, which unintentionally provokes an ill-fated chain of events.

Mississippi Mermaid (1969)

A tobacco planter on Réunion island in the Indian Ocean becomes engaged through correspondence to a French woman he does not know. The woman that arrives does not look like the picture he received, but he marries her anyway.

Breathless (1960)

A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he attempts to persuade a girl to run away to Italy with him.

This Man Must Die (1969)

When his young son is killed in a hit and run accident, Charles Thenier resolves to hunt down and murder the killer. By chance, Thenier makes the acquaintance of an actress, Helène Lanson, who was in the car at the time of the accident. He then meets Helène’s brother-in-law, Paul Decourt, a truly horrible individual.

Le Deuxième Souffle (1966)

A gangster escapes jail and quickly makes plans to continue his criminal ways elsewhere, but a determined inspector is closing in.

Pépé le Moko (1937)

Pépé le Moko, one of France's most wanted criminals, hides out in the Casbah section of Algiers. He knows police will be waiting for him if he tries to leave the city. When Pépé meets Gaby, a gorgeous woman from Paris who is lost in the Casbah, he falls for her.

Le Doulos (1962)

Enigmatic gangster Silien may or may not be responsible for informing on Faugel, who was just released from prison and is already involved in what should be a simple heist. By the end of this brutal, twisting, and multilayered policier, who will be left to trust?

Daybreak (1939)

After committing a murder, a man locks himself in his apartment and recollects the events that led him to the killing.

Two Men in Manhattan (1959)

Two French journalists become embroiled in a criminal plot in New York City involving a disappeared United Nations diplomat.

Coup de Torchon (1981)

A pathetic police chief, humiliated by everyone around him, suddenly wants a clean slate in life, and resorts to drastic means to achieve it.

The Big Risk (1960)

Two men pull off a daring daylight payroll heist in Milan, making a fast getaway. One is returning to France after years in hiding, needing money to start fresh with his family.

The Burglars (1971)

In Athens a collection of emeralds is successfully stolen by a team of robbers, led by safe-cracker Azad. Things go smoothly until they miss the ship by which they planned their escape; a police chief pursues Azad while he waits for the next ship to set off.

A Cop (1972)

A Parisian police chief has an affair, but unbeknownst to him, the boyfriend of the woman he’s having an affair with is a bank robber planning a heist.

Touchez Pas au Grisbi (1954)

Gentleman gangster Max and his partner, Riton, pull off their last, most successful heist and find themselves comfortable enough to retire in the style they enjoy. However, Max confides the details of the theft to his younger mistress, Josey -- who has secretly taken up with ambitious young rival gangster Angelo. Angelo then has Riton kidnapped and demands the stash of gold as ransom, which threatens Max's dreams of the perfect retirement.

The Moon in the Gutter (1983)

A dockworker seeking revenge on the killer of his sister finds himself the object of desire for two women.

Le Samouraï (1967)

After carrying out a flawlessly planned hit, Jef Costello, a contract killer with samurai instincts, finds himself caught between a persistent police investigator and a ruthless employer, and not even his armor of fedora and trench coat can protect him.

The Butcher (1970)

An unlikely friendship between a dour, working class butcher and a repressed schoolteacher coincides with a grisly series of Ripper-type murders in a provincial French town.

Alphaville (1965)

Lemmy Caution is on a mission to eliminate Professor Von Braun, the creator of a malevolent computer that rules the city of Alphaville. Befriended by the scientist’s daughter Natasha, Lemmy must unravel the mysteries of the strictly logical Alpha 60 and teach Natasha the meaning of the word “love.”