Forgetting Vietnam (2016)

“It all begins with two”: departure/return, earth/water, history/tourism… Starting from the ancient myth of Vietnam’s foundation – a battle between two dragons – and from the balance between earth and water that defines the country geographically, Trinh Minh-ha composes a palimpsest of words and images filmed in 1995 in Hi-8 video, then in HD in 2012. Words, superimposed, come and go like a graphic ballet that adds a layer to the archaeology visible in the landscape, a mix of ancient traditions and authoritarian attempts to eradicate them.

Like (2016)

In our current world, where worth is often gauged by online popularity, an economy has developed for paying for followers and likes. Through access inside the “click-farms” of Bangladesh, Like explores the multi-million dollar industry that grows social media followings for celebrities and brands alike.

Death of a Prisoner (2013)

The filmmaker Laura Poitras follows the tragic return home to Yemen of a Guantánamo Bay prison detainee, Adnan Latif.

Compton in C Minor (2009)

'Compton in C Minor' is a meditation on the gang capital of the world from a hometown girl's point of view. Frustrated by negative portrayals of the inner-city, director Ava DuVernay challenged herself to capture Compton in only two hours and present whatever she found. The results touch on everything from unemployment to entrepreneurship, from graffiti to pride of ownership. The short documentary ends with an inspiring spectacle that will cause you to rethink your stereotypes of this community.

Jazz Hot (1939)

JAZZ HOT is a major discovery, a unique sync sound film recorded of Django Reinhardt, greatest of jazz guitarists, here with violinist Stephane Grappelli and the Quintet of the Hot Club of France.

Blood (2013)

Documentary following a mobile blood donation team travelling through rural Russia, where people sell their blood to make ends meet.

Wilhemina's War (2016)

A Southern grandmother struggles to help her loved ones survive the scourge of HIV - but she may be unable to save the one she loves the most.

Money & Life (2013)

Money & Life is an inspirational essay-style documentary that asks a provocative question: can we see the economic crisis not as a disaster, but as a tremendous opportunity? This cinematic odyssey connects the dots on our current economic pains and offers a new story of money based on an emerging paradigm of planetary well-being that understands all of life as profoundly interconnected.

Still Alive: A Film About Krzysztof Kieslowski (2005)

Maria Zmarz-Koczanowicz directed this insightful TV documentary (2005) tracing the Polish filmmaker's career. Former classmates reminisce about Kieslowski's happy beginnings at the Lodz film school and how his dissatisfaction with some of his early documentaries prompted the dramatic work and stylistic experimentation that led to his monumental series of films The Decalogue (1989). Wim Wenders, Agnieszka Holland, and Juliette Binoche are among the many admirers weighing in on his hard-driving work methods and preoccupation with the ephemeral. In Polish, French, and German with subtitles.

The Pleasures of Uninhibited Excess (1991)

A fast-moving and comprehensive documentation of three Survival Research Laboratories performances 1989-1990. Includes "Illusions of Shameless Abundance ...", ArtSpace Computer-Controlled Installation, "A Carnival of Misplaced Devotion ...", plus details of the 1989 bomb hoax incident.

A Calculated Forecast Of Ultimate Doom / The Deliberate Evolution Of A War Zone (1996)

Two Shows from Survival Research Laboratories: San Francisco, CA 1994 and Graz, Austria 1992. The Doom show was SRL's biggest show ever and the War Zone event resulted in a nation-wide defense alert in Austria.

For Love or Money (1983)

Using almost totally historical material, For Love or Money encompasses the role of Australian women in both paid and unpaid work, over a 200 year period.

Pussy for Beginners (2015)

An educational film about women's sexuality, genitalia and their functions during sexual interaction.

Vineland (2009)

A short experimental documentary is filmed at the last drive-in movie theater in Los Angeles, located in a desolate area called the City of Industry. Floating within a backdrop of smokestacks, beacon towers and passing trains, dislocated Hollywood images filled with apocalyptic angst are re-framed and reflected through car windows and mirrors as the displacement of the radio broadcast soundtrack collides with the projections upon and surrounding the multiple screens. In VINELAND, the nocturnal landscape is seen as a border zone aglow with dreamlike illusions revealing overlapping realities at the intersection of nostalgia and alienation.

Scene Missing (2012)

The unfinished documentary about the making of Dennis Hopper's mostly unseen feature film The Last Movie (1971).

I.D. (2009)

A teenager finds her identity through the intimacy of the photo booth.

Yarn (2016)

The traditional crafts of crochet and knitting have become one of the hottest movements in modern art. We follow a few International artists and knitters as they bring yarn to the streets and into our lives in new ways. Starting in Iceland, this quirky and thought-provoking film takes us on a colourful and global journey as we discover how yarn connects us all.

Aracati (2016)

Vale do Jaguaribe, Ceará. Following the route of the Aracati wind, the film moves from the beach to the countryside. During this path, it observes the relationship between man and landscape, thetransformations of space and the limits between nature and artifice.

HSA Hospital Strike '75 (1975)

A union of interns and residents at Chicago's only public hospital are forced to strike for better patient care. This film documents their eighteen-day strike.

The Dreamed Ones (2016)

It’s not uncommon for a film to have a moving love story at its core. Yet this particular set-up is unusual. The lovers here are Ingeborg Bachmann and Paul Celan, both important representatives of post-war German-language poetry. The story of the relationship between the Austrian and the Jew from Czernowitz is told through their nearly 20-year correspondence (1948–1967). Or, more precisely, by a young woman and a young man reading from their letters in a studio in Vienna’s venerable Funkhaus.